{"title":"Books","description":"","products":[{"product_id":"zao-wou-ki-encres-et-aquarelles-1948-2009","title":"Encres et aquarelles (1948-2009)","description":"\u003cdiv class=\"descrListe\"\u003eThis catalogue offers an immersion in Zao Wou-Ki's works on paper, Chinese ink and watercolors, covering 60 years of creation from 1948 to 2009. Erik Verhagen's selection follows the artist's career from the first figurative drawings and abstract composition studies of the 1960s, through the rediscovery of Indian ink in the 1970s to the artist's final works featuring large color washes.\u003cbr\u003e\u003cbr\u003ePublished on the occasion of the eponymous exhibition at Kamel Mennour Gallery, Paris, from February 28 to April 13, 2019, and Kamel Mennour Gallery, London, from March 1 to 23, 2019.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eWidely regarded as one of the most important artists of the 20th century, Chinese-French painter Zao Wou-Ki (1920-2013) moved to Paris from Shanghai in his formative years and became an exemplar of the global scope of Modern Abstraction. While he initially moved away from Chinese traditions, in the 1970s, he experienced a reconciliation and his experimentations in painting combined Eastern and Western techniques to unprecedented success.\u003cbr\u003e\u003c\/p\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954801717353,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/ZaoWou-Ki_Encresetacquarelles_1948-2009.png?v=1764324652"},{"product_id":"tadashi-kawamata-over-flow","title":"Over Flow","description":"\u003cdiv class=\"accroche\"\u003e\n\u003cdiv class=\"accroche\"\u003e\n\u003cdiv class=\"descrListe\"\u003eThis catalogue focuses on an immersive one-year project in Portugal, centered around questions of global ecology and tourism. Kawamata's large scale installation integrates both plastic residues and abandoned boats collected on Portugal's shores during beach cleaning campaigns. The publication features a text by the artist, exhibition views, and a section documenting related projects made by Kawamata throughout his career.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003eTadashi Kawamata's project at MAAT is a three-fold endeavour. The installation is the consequence of years of the artist's investigations into the questions regarding ocean ecology, natural catastrophe, and ecological catastrophe, all of which he has explored during his career in site specific works around the world. On the other hand, the work produced in Lisbon is preceded by a thorough engagement with the found , site-specific \u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: Arial; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\" lang=\"EN-US\"\u003esituation, which Kawamata has been exploring over the course of many visits and data collections in Lisbon\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ein\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ethe\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003epast\u003cspan style=\"letter-spacing: -.1pt;\"\u003e \u003c\/span\u003eyear.\u003cspan style=\"letter-spacing: -.25pt;\"\u003e \u003c\/span\u003eThe\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003edebris\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ewhich\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003eflows\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003einto\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ethis\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003einstallation\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ewas\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ecollected\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003eon\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ethe\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ecoast\u003cspan style=\"letter-spacing: -.1pt;\"\u003e \u003c\/span\u003enear\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003eLisbon\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ein 2018, as a part of a series of campaigns conducted by \u003ci style=\"mso-bidi-font-style: normal;\"\u003eBrigada do Mar\u003c\/i\u003e—a volunteer organisation which regularly contributes to the cleaning of the beaches of Portugal. From them we learn about a global circulation\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003eof\u003cspan style=\"letter-spacing: -.1pt;\"\u003e \u003c\/span\u003egarbage\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ein\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ethe\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003eworld's\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003eseas:\u003cspan style=\"letter-spacing: -.1pt;\"\u003e \u003c\/span\u003ewhat\u003cspan style=\"letter-spacing: -.1pt;\"\u003e \u003c\/span\u003ewe\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003efind\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003eon\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ethe\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003eshores\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003eof\u003cspan style=\"letter-spacing: -.1pt;\"\u003e \u003c\/span\u003ePortugal\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003eis\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ewaste\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003eproduced\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003eby\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003emany continents. The boats shipwrecked inside Kawamata's installation also speak to questions related to global tourism and its fatal consumption of natural resources. Deposited in the warehouses of the town hall of Almada, which generously supported this project, these found mountains of garbage have also passed through the \u003ci style=\"mso-bidi-font-style: normal;\"\u003eEspacialistas \u003c\/i\u003elaboratory,\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ea team of\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003earchitects and researchers who,\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ein collaboration with\u003cspan style=\"letter-spacing: -.2pt;\"\u003e \u003c\/span\u003eTadashi Kawamata, studied the hybrid configurations that the ocean, its movements and artificial components progressively\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003eformed\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003efrom\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003ethe\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003ewaste\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003efragments.\u003cspan style=\"letter-spacing: -.7pt;\"\u003e \u003c\/span\u003eApplying\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003eprinciples\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003efound\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003ein\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003ethese\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003efusion\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003epieces\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003eproduced\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003eby the ocean,\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ea student\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003eworkshop and\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003eEspacialistas \u003c\/i\u003ecreated new modules,\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003ewhich the artist\u003cspan style=\"letter-spacing: -.05pt;\"\u003e \u003c\/span\u003eincorporated into his installation.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\n\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: Arial; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\" lang=\"EN-US\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003ePublished on the occasion of the eponymous exhibition at MAAT – Museu de Arte, Arquitetura e Tecnologia, Lisbon, from October 4, 2018, to April 1, 2019.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e\n\u003cspan\u003eTadashi Kawamata (born 1953 in Japan, lives and works in Tokyo and Paris) has made in situ art throughout the world and was artistic director of the Yokohama Triennale in 2005. His work concerns itself with architectural space a\u003c\/span\u003e\u003cspan\u003es an urban or designed social context or product. A careful study of the human relations that define it and the way of life which results from it allows him each time to determine progressively the nature of his project. His pieces, for the most part temporary, are generally made from timber sometimes from salvage material from the immediate vicinity. Tadashi Kawamata's pieces recreate connections between the past and the present, between outside and inside, between the actual and the potential: they reveal another identity to the spaces, highlighting the invisible but quite real aspect of their cultural and social dimension. The creation of a community with which he shares the research and physical work is the drive and basis for each of his projects, as we can see with the experience of Saint-Thélo.\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954804437097,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/Overflow.png?v=1753190984"},{"product_id":"christodoulos-panayiotou-pulp-paintings","title":"Pulp Paintings","description":"\u003cdiv class=\"accroche\"\u003e\n\u003cdiv class=\"accroche\"\u003e\n\u003cdiv class=\"descrListe\"\u003eThis catalogue focuses on a series of paintings made of discarded euro banknotes. These imposing fields of colour produced by the synthesis of the original banknotes are part of a greater investigation that seeks to remobilise devalued material. With a foreword by Jean Capeille.\u003cbr\u003e\u003cbr\u003e“The story of the success enjoyed by pulp magazines comes down to a principle of coherence. Narratives of what are considered to be minor puzzles—science fiction episodes, police investigations, erotic pretexts—find, in pulp paper, the \"inferior\" material base that makes their widespread distribution possible. According to this tautological justification, the sophistication of the object refers back to the supposed sophistication of its content. The operation that Christodoulos Panayiotou executes with his \u003cem\u003ePulp Paintings\u003c\/em\u003e represents a crack in this principle of causality. He imposes a compact, flat form on a pile of demonetised banknotes salvaged from the Banque de France, creating paper pulp from shredded money that by the end of the process will have conserved nothing of its original composition except a residual manifestation of pigment. Nothing remains of this invalidated material apart from a new colour produced by the synthesis of the original banknotes. It is said of colour that it represents the substance of the object: in this sense it is as if \"money laundering\" was money's ultimate fate—that which doesn't readily \"show its colour\" finally sets it up as the sole guarantee of its own reality.” \u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eJean Capeille\u003cbr\u003e\u003cbr\u003ePublished on the occasion of the artist's exhibition at galerie kamel mennour, Paris, from October 15 to November 24, 2018.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"bioAuteur\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoBodyText\" style=\"line-height: 95%;\"\u003e\u003cspan lang=\"EN-US\"\u003eChristodoulos\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003ePanayiotou's\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003e(born\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003e1978\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003ein\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003eLimassol,\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003e\u003cu style=\"text-underline: #FCB827;\"\u003eCyprus\u003c\/u\u003e)\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003ewide-ranging\u003cspan style=\"letter-spacing: -.15pt;\"\u003e \u003c\/span\u003eresearch focuses on the identification and uncovering of hidden narratives in the visual records of history and time.\u003c\/span\u003e\u003c\/p\u003e\nChristodoulos Panayiotou's (born 1978 in Limassol, Cyprus) wide-ranging research focuses on the identification and uncovering of hidden narratives in the visual records of history and time.\u003cbr\u003eSolo exhibitions of his work have been held (amongst others) at the 56th Venice Biennial, The Cyprus Pavilion; Camden Arts Centre, London; Musée d'Orsay, Paris; Casa Luis Barragán, Mexico City; Moderna Museet, Stockholm; Kunsthalle Zürich; Casino Luxembourg; CCA Kitakyushu; Museum of Contemporary Art, St. Louis; Museum of Contemporary Art, Leipzig; Centre d'Art Contemporain de Brétigny; and at Point Center of Contemporary Art, Nicosia. In 2019 he collaborated on the conception of the Emma Kunz - Visionary Drawings exhibition at the Serpentine Gallery. His work was also shown in a number of group exhibitions including: the 8th Melle Biennale; the 14th Lyon Biennial; the 13th Sharjah Biennial; dOCUMENTA (13), Kassel; 8th Berlin Biennale; 7th Liverpool Biennial; Hammer Museum, Los Angeles; Centre Pompidou, Paris; Museion, Bolzano; Migros Museum, Zürich; CCA Wattis Institute for Contemporary Arts, San Francisco; Joan Miro Foundation, Barcelona; Witte de With, Rotterdam; Bonniers Konsthall, Stockholm; Philadelphia Museum of Art; Ashkal Alwan Center for Contemporary Arts, Beirut; Artist Space, New York; MoCA Miami. \u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954815250537,"sku":"","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/Pulppaintings.png?v=1753191621"},{"product_id":"the-commodification-of-love","title":"The Commodification of Love","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cdiv class=\"descrListe\"\u003eCatalogue of the eponymous group exhibition on the theme of romantic relationships in the digital age. Curator Cloé Perrone's introductory text is followed by a series of works by Antoine Catala, Catharine Czudej, Cécile B. Evans, Pakui Hardware, Camille Henrot, Ingo Niermann \u0026amp; Alexa Karolinski, Lili Reynaud-Dewar, Avery Singer, and Anna Uddenberg.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eFeelings and sentimental relationships have started to depend on devices; we communicate and expand the connections we make through them. In a world where chance encounters are more unlikely, how do we make for new ones ? Although we think and live more independently, we still feel the need or pressure to share our lives with a better half. What is the role of love ? How do we define it ? How do we look for it ?\u003cbr\u003ePakui Hardware's neon sign, \u003cem\u003eStill in the Dark\u003c\/em\u003e and Camille Henrot's \u003cem\u003eDawg Shaming\u003c\/em\u003ephone sculpture along with her drawing series \u003cem\u003eSkype Sex\u003c\/em\u003e address the difficulties of sending and receiving correct messages. Avery Singer's portraits and Anna Uddenberg's \u003cem\u003eTransit Mode Abenteuer\u003c\/em\u003e pose remind us of the demanding physical and mental states that we encounter while creating and dealing with our profiles. Solitude and identity awareness are materialised in Antoine Catala's videos \u003cem\u003eBedroom, New Feelings\u003c\/em\u003e and his gaming table \u003cem\u003eInsecure Attachment\u003c\/em\u003e, while Cécile B. Evans' \u003cem\u003eA man in progress\u003c\/em\u003e alludes to the continuous or progressive reinforcement of a particular framework of expression or gesture. Ingo Nierman's and Alexa Karolinski's video \u003cem\u003eThe Army of Love\u003c\/em\u003e presents new possibilities of giving love, its new definition and its distribution.\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003ePublished following the eponymous exhibition at galerie kamel mennour, Paris, from September 7 to October 8, 2017.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954803257449,"sku":"","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/products\/06_-_commodification_-_eshop.jpg?v=1575986529"},{"product_id":"mohamed-bourouissa-monograph","title":"Monograph","description":"\u003cdiv class=\"accroche\"\u003e\n\u003cdiv class=\"accroche\"\u003e\n\u003cdiv class=\"descrListe\"\u003eSince 2003, Bourouissa has been developing a multidisciplinary practice rooted in social reality, working primarily with representations of a contemporary urban environment. This catalogue accompanies the Franco-Algerian artist's exhibition at the Barnes Foundation, which gathers his most significant works to date—including \u003cem\u003eHorse Day\u003c\/em\u003e, his first project in the USA.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003ePublished on the occasion of the exhibition “Mohamed Bourouissa: Urban Riders” at the Barnes Foundation, Philadelphia, from June 30 to October 2, 2017.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eBorn 1978 in Blida, Algeria, Mohamed Bourouissa lives and works in Paris. He studied photography at the Ecole Nationale Supérieure des Arts Décoratifs and in 2007 was awarded the Voies Off prize in Arles for his series, “Périphériques”. His work has since been shown in numerous solo and collective exhibitions in France and across the world: at the Centre Pompidou (Hors Pistes Festival in 2013), the Musée d'art Moderne of Paris, the Palais de Tokyo, the Palazzo Grassi – François Pinault Foundation in Venice, at AGO in Toronto, the Saatchi Gallery in London, the Dublin Gallery of Photography, the Museum of Modern Art of Istanbul, t\u003cimg\u003ehe Beirut Exhibition Center, the Thessaloniki Museum of Photography, the MAXXI in Rome, the New Museum of Contemporary Art in New York, the Philadelphia Museum of Art, the SCAD of Atlanta, the Finnish Museum of Photography of Helsinki, the Fotomuseum in Rotterdam, the Nikolaj Kunsthal of Copenhagen, the KW Institute for Contemporary Art of Berlin as well as at the Berlin Biennale, and the 54th Venice Biennale.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954805846121,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/MOHAMEDBOUROUISSA.png?v=1757408633"},{"product_id":"martial-raysse-sera-montree-une-suite-de-dessins-etudes-et-modellos-issus-dune-pratique-peu-usitee-de-nos-jours-mais-qui-na-rien-perdu-de-son-charme-ni-de-sa-pertinence","title":"Sera montrée une suite de dessins, études et modellos, issus d'une pratique peu usitée de nos jours, mais qui n'a rien perdu de son charme, ni de sa pertinence","description":"\u003cdiv class=\"accroche\"\u003e\n\u003cdiv class=\"descrListe\"\u003eThe hundred or so drawings gathered in this monograph provide an intimate glance into the work of Martial Raysse, making available for the general public a body of work that has been little known until now. With an introduction by Anaël Pigeat.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003ePublished on the occasion of the eponymous exhibition at galerie kamel mennour, Paris, from March 16 to April 22, 2017.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eA founding member of the Nouveaux Réalistes (alongside Arman, François Dufrêne, Raymond Hains, Daniel Spoerri, Jean Tinguely, Jacques de la Villéglé and Yves Klein), Martial Raysse, born 1936 in Golfe-Juan (France), lives and works in Issigeac (France).\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eTo begin with, with Martial Raysse there are always women, doubtless the first of his subjects. Rebecca\u003cbr\u003e(1996) brings to mind the Mona Lisa, but we could have also passed her yesterday in the metro. Her portrait is surrounded by long brush strokes of brown and purple gouache. This is the artist's palette and the most elegant dress she wears. You have the impression of catching him at work, as you do with the succession of certain variations, like the charcoal drawing of La Charmante Nadwho reappears in Nad (2000) dressed in red and surrounded by field flowers. Are these two images a few minutes or a few days apart? Raysse's drawings say much about his practice. Everything is permitted, all the pencils, all papers and collages, including photocopies, all the pirouettes and acrobatic turns imaginable.\u003cbr\u003eAt first, the most arresting thing about the large compositions he made in the 1960s is their high level of relief: the plastic deer antlers, the fake plants, the plywood fragments of beach and landscape. His drawings are also often in three dimensions, like in the studies for La Source (1990) for instance, in the small collages where girls' heads have been cut out and attached to busts that are slightly too small. There are also swimming costumes glued onto models' bodies, like the cut-out dress-ups young girls play with. These collages, no less vehicles of fantasy, indicate stages in a scrupulous working process, with all its adjustments. They can also be a bit of a joke—or are they not really?—like the child from the Bronzino painting whom a crown of lily flowers added to his head in Place d'Assas à Tolède (1993) has transformed into a prince. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\n\u003cdiv class=\"accroche\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954806272105,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/Seramontre.png?v=1753191944"},{"product_id":"tadashi-kawamata-under-the-water","title":"Under the Water","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cdiv class=\"descrListe\"\u003eNew monograph: a photographic documentation on the site-specific works \u003cem\u003eUnder the Water\u003c\/em\u003e at the Centre Pompidou Metz and gallery kamel mennour, completed with visual archives covering over thirty years of practice (1979-2015), and a focus on the artist's roof installations from 1995 to 2015.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003ePublished on the occasion of the eponymous exhibitions at Centre Pompidou Metz in 2016, and gallery kamel mennour, Paris, in 2011.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eTadashi Kawamata (born 1953 in Japan, lives and works in Tokyo and Paris) has made in situ art throughout the world and was artistic director of the Yokohama Triennale in 2005. His work concerns itself with architectural space as an urban or designed social context or product. A careful study of the human relations that define it and the way of life which results from it allows him each time to determine progressively the nature of his project. His pieces, for the most part temporary, are generally made from timber sometimes from salvage material from the immediate vicinity. Tadashi Kawamata's pieces recreate connections between the past and the present, between outside and inside, between the actual and the potential: they reveal another identity to the spaces, highlighting the invisible but quite real aspect of their cultural and social dimension. The creation of a community with which he shares the research and physical work is the drive and basis for each of his projects, as we can see with the experience of Saint-Thélo.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954803912809,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/TADASHIKAWAMATA.png?v=1757409667"},{"product_id":"marie-bovo-monograph","title":"Monograph","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cdiv class=\"descrListe\"\u003eReference monograph: an overview of Marie Bovo's work, juxtaposing her latest projects with her emblematic photographic series, inspired by Mediterranean cultures (each series being put into perspective with the corresponding exhibition views), with two essays and an interview.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003ePublished on the occasion of Marie Bovo's exhibition \"La Danse de l'ours” at FRAC Provence-Alpes-Côte d'Azur, Marseille, in 2015.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eBorn 1967 in Alicante, Marie Bovo lives and works between paris and Marseille. She has exhibited widely in France and internationally. Her work has been presented at key institutions and events, such as the 54th Venice Biennale, the Maison Européenne de la Photographie in Paris, the Centre de Création Contemporaine in Tours, Luis Serpa Projectos in Lisbon, Les Collections de Saint-Cyprien, the Maison de la Photographie in Toulon, the City of Marseille Ateliers, the (mac) Musée d'Art Contemporain in Marseille, the Caszuidas Screen in Amsterdam, the Federation Square in Melbourne and the Museum of Contemporary Art in Chicago. Bovo is represented in central private and public collections, including those of, fnac, Maison Européenne de la Photo, Le Grand Hornu in Belgium, Les Collections de Saint-Cyprien and FRAC of Marseille.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954809811049,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/MARIEBOVO.png?v=1757409571"},{"product_id":"daniel-buren-1965-2015","title":"1965...2015","description":"\u003cdiv class=\"accroche\"\u003e\n\u003cdiv class=\"accroche\"\u003e\n\u003cdiv class=\"descrListe\"\u003eA retrospective retracing fifty years of creation in pictures.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003ePublished on the occasion of the project “1965... 2015” by Daniel Buren for the Armory Show, New York, from March 5th to March 8th, 2015; and the exhibition “Au fur et à mesure, travaux in situ et situés” at the galerie kamel mennour, Paris, from January 24th to March 21st 2015.\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eCo-founder of the BMTP group, Daniel Buren (born 1939 in Boulogne-Billancourt, France) is a major figure on the international art scene. He made a name for himself on the art scene in the 1960s. In 1965, Daniel Buren settled into an approach based on a striped canvas with alternating white and coloured, 8,7 cm-wide stripes. The introduction in late 1967 of what he called a \"visual tool\" laid the foundations for a practice that broke with tradition and opened up a multifaceted body of work in which freedom was born, as the artist likes to point out, out of both internal and external constraints. Daniel Buren explored this \"visual tool\" by developing it on a flat surface and, from the end of the 1960s, in three dimensions.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954813382761,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/Buren1965-2015.png?v=1753192122"},{"product_id":"martial-raysse-13-sonnets","title":"13 sonnets","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cdiv class=\"descrListe\"\u003eThirteen sonnets written by the artist between 1974 and 2013.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eA founding member of the Nouveaux Réalistes (alongside Arman, François Dufrêne, Raymond Hains, Daniel Spoerri, Jean Tinguely, Jacques de la Villéglé and Yves Klein), Martial Raysse, born 1936 in Golfe-Juan (France), lives and works in Issigeac (France).\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32384842530921,"sku":"","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/13sonnets.png?v=1753192446"},{"product_id":"francois-morellet-cest-nimporte-quoi-1949-2014","title":"C'est n'importe quoi ? – 1949-2014","description":"\u003cdiv class=\"accroche\"\u003e\n\u003cdiv class=\"accroche\"\u003e\n\u003cdiv class=\"descrListe\"\u003eNew monograph.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eDevilishly mischievous, the title of this publication, “François Morellet, c'est n'importe quoi ? (Does It Make Any Sense?)”, questions us and alerts us to the touch of mischief that animates the artist's now well-known minimalist vocabulary of white monochromes, black lines, and neon lights all arranged under the auspices of mathematics. This neatly ordered world is actually subject to a generalized tremor of sorts, a kind of earthquake of saving grace.\u003cbr\u003eIn the series “Triptyque” (2014) and “Carrément bricolé” (Completely Cobbled Together) (2013), the diverse elements of the work give the impression of being broken apart by vibrations. This is the case, too, in “La Débâcle” (The Debacle) (2013), where a large black line divides the painting like a Newmanian zip, almost recalling the sharp edges of Caspar David Friedrich's “The Sea of Ice”. As for the concentric circles of “Cruibes” (2013-14), they might be the materialization of this shockwave that extends onto a wooden footbridge specially designed by Japanese artist Tadashi Kawamata. This jetty allows us to venture out over an ocean of neon lights whose blinking creates a luminous swell. The undulations of light created by this work, initially designed in 2001 for the Zentrum für Internationale Lichtkunst in Unna (Germany), bring the space to reel and sway in a vibrant tribute to Piet Mondrian's series of paintings entitled “Pier and Ocean“ (1915).\u003cbr\u003eFinally, an exceptional collection of works from 1949, inspired by tribal art, and more specifically by aboriginal art, initially shown in 1950 at the Gallery Raymond Creuze, in Paris, sheds light on its origins, these pieces allow us to appreciate the growth and the eternal, vibrating youth of François Morellet's work.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eFrançois Morellet (1926-2016) is considered one of the major figures of geometrical abstraction over the\u003cbr\u003epast half century, a pioneer of minimal art. An internationally recognized artist since the 1970s, he is the creator of many private and public commissions both in France and abroad, such as the permanent installation L'Esprit d'escalier, realized in the Lefuel Staircase of the Musée du Louvre in 2010.\u003cbr\u003eHis work has been exhibited in many venues, including the Centre Georges Pompidou, the Musée d'Orsay, the Galerie Nationale du Jeu de Paume, the Musée d'Art Moderne de la Ville de Paris, the Center for Fine Arts in Brussels, the S.M.A.K. in Ghent, the Stedelijk Museum in Amsterdam, the Mamco in Geneva, Documenta in Kassel, the Neue Nationalgalerie in Berlin, the Staatliche Kunsthalle in Baden-Baden, the Museum Ritter in Waldenbuch, Modern Art Oxford, the Musée d'Art Contemporain de Montréal, the Brooklyn Museum in New York, the Mi mi Arts Museum, and the MoMA in New York. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003ePublished on the occasion of the eponymous exhibition at kamel mennour gallery, Paris, from March to May 2014.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954813218921,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/Morellet_C_estn_importequoi.png?v=1753192753"},{"product_id":"cinema-martial-raysse","title":"Cinéma Martial Raysse","description":"\u003cdiv class=\"descrListe\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003eMartial Raysse and cinema.\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003eAn illustrated journey through the painter's films which highlights how Martial Raysse used cinema. It shows how this aspect of his work, which remains largely unknown, marks a clear evolution from his first artistic period, in the context of the French experimental cinema scene during the 60s, all whilst remaining coherent with the artist's wider oeuvre.\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003cspan style=\"font-size: 11.0pt; font-family: 'Arial',sans-serif; mso-fareast-font-family: Arial; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\" lang=\"EN-US\"\u003eA\u003cspan style=\"letter-spacing: -.25pt;\"\u003e \u003c\/span\u003efounding member of the \u003cu style=\"text-underline: #FCB827;\"\u003eNouveaux Réalistes\u003c\/u\u003e (alongside\u003cspan style=\"letter-spacing: -.25pt;\"\u003e \u003c\/span\u003e\u003cu style=\"text-underline: #FCB827;\"\u003eArman\u003c\/u\u003e,\u003cspan style=\"letter-spacing: 2.0pt;\"\u003e \u003c\/span\u003e\u003cu style=\"text-underline: #FCB827;\"\u003eFrançois\u003c\/u\u003e \u003cu style=\"text-underline: #FCB827;\"\u003eDufrêne\u003c\/u\u003e,\u003cspan style=\"letter-spacing: -.25pt;\"\u003e \u003c\/span\u003e\u003cu style=\"text-underline: #FCB827;\"\u003eRaymond\u003cspan style=\"letter-spacing: -.25pt;\"\u003e \u003c\/span\u003eHains\u003c\/u\u003e,\u003cspan style=\"letter-spacing: -.25pt;\"\u003e \u003c\/span\u003e\u003cu style=\"text-underline: #FCB827;\"\u003eDaniel\u003cspan style=\"letter-spacing: -.25pt;\"\u003e \u003c\/span\u003eSpoerri\u003c\/u\u003e,\u003cspan style=\"letter-spacing: -.25pt;\"\u003e \u003c\/span\u003e\u003cu style=\"text-underline: #FCB827;\"\u003eJean\u003cspan style=\"letter-spacing: -.45pt;\"\u003e \u003c\/span\u003eTinguely\u003c\/u\u003e,\u003cspan style=\"letter-spacing: -.25pt;\"\u003e \u003c\/span\u003e\u003cu style=\"text-underline: #FCB827;\"\u003eJacques\u003cspan style=\"letter-spacing: -.25pt;\"\u003e \u003c\/span\u003ede\u003cspan style=\"letter-spacing: -.25pt;\"\u003e \u003c\/span\u003ela\u003cspan style=\"letter-spacing: -.25pt;\"\u003e \u003c\/span\u003eVilléglé\u003c\/u\u003e\u003cspan style=\"letter-spacing: -.3pt;\"\u003e \u003c\/span\u003eand\u003cspan style=\"letter-spacing: -.45pt;\"\u003e \u003c\/span\u003e\u003cu style=\"text-underline: #FCB827;\"\u003eYves\u003cspan style=\"letter-spacing: -.25pt;\"\u003e \u003c\/span\u003eKlein\u003c\/u\u003e),\u003cspan style=\"letter-spacing: -.3pt;\"\u003e \u003c\/span\u003eMartial Raysse, born 1936 in Golfe-Juan (France), lives and works in Issigeac (France). \u003c\/span\u003e\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954814824553,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/CinemaMartialRaysse.png?v=1753193019"},{"product_id":"un-saint-un-pecheur-deux-statues-de-martial-raysse","title":"Un saint. Un pêcheur. Deux statues de Martial Raysse","description":"\u003cdiv class=\"descrListe\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eA study of two works with which Martial Raysse reinvents \u003c\/span\u003e\u003cspan\u003etraditional techniques of sculpture and draws its iconography in ancient texts.\u003c\/span\u003e\u003c\/p\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954802602089,"sku":"","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/products\/16_-_un_saint_pecheur_-_eshop.jpg?v=1575986771"},{"product_id":"mohamed-bourouissa-temps-mort","title":"Temps Mort","description":"\u003cdiv class=\"descrListe\"\u003e\u003cspan\u003eArtist's book based on the eponymous work by Franco-Algerian artist Mohamed Bourouissa, a series of photographs and a video made with the help of a prisoner from the jail in which he is held, an exchange via SMS and MMS using a mobile phone smuggled into the prison establishment.\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\n\u003cem\u003eTemps Mort\u003c\/em\u003e, a title borrowed from a track by the rapper Booba, is initially the title of a film Mohamed\u003cbr\u003eBourouissa produced in 2009, as part of his studies at the Fresnoy, widely shown in numerous exhibitions and festivals.\u003cbr\u003e \u003cbr\u003eThis book retraces the lesser-known origin of the project: 21 photographs produced a year earlier, 300 multimedia and text messages exchanged between the artist and his friend Al, an inmate, over a period of eight months.\u003cbr\u003eMohamed Bourouissa gives different framing and shot instructions to Al, who then takes pictures of his environment in the low resolution of his phone's camera.\u003cbr\u003eThe images are basic, topographical, but their processing reveals the suspension of time that follows the deprivation of outdoor life, that vanished everyday life of “a captive social absentee”, giving them a poetic dimension unlike the journalistic esthetic that they seem to echo at first glance.\u003cbr\u003e\u003cem\u003eTemps Mort\u003c\/em\u003e gathers these 21 images and archives interspersed with a selection of text messages that render Al and Mohamed Bourouissa's exchanges and their evolving artistic dialogue, through cell phones, the inmate's only tie with the outside. A few white pages containing only dates, punctuate the publication and emphasize the stretching of time, a highly subjective notion that takes on a whole new sense in imprisonment. Time out.\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003eBorn 1978 in Blida, Algeria, Mohamed Bourouissa lives and works in Paris. He studied photography at the École Nationale Supérieure des Arts Décoratifs (Ensad) and in 2007 was awarded the Voies Off prize in Arles for his series, “Périphériques”. His work has since been shown in numerous solo and collective exhibitions in France and across the world: at the Centre Pompidou (Hors Pistes Festival in 2013), the Musée d'art Moderne of Paris, the Palais de Tokyo, the Palazzo Grassi – François Pinault Foundation in Venice, at AGO in Toronto, the Saatchi Gallery in London, the Dublin Gallery of Photography, the Museum of Modern Art of Istanbul, the Beirut Exhibition Center, the Thessaloniki Museum of Photography, the MAXXI in Rome, the New Museum of Contemporary Art in New York, the Philadelphia Museum of Art, the SCAD of Atlanta, the Finnish Museum of Photography of Helsinki, the Fotomuseum in Rotterdam, the Nikolaj Kunsthal of Copenhagen, the KW Institute for Contemporary Art of Berlin as well as at the Berlin Biennale, and the 54th Venice Biennale »\u003cbr\u003eHuang Yong Ping, Amoy\/Xiamen —\u0026gt; 1 paragraphe supplémentaire sur les Presses du réel : \"Inspired by a unique collection of statues from the Chinese province of Fujian (representing a pantheon of gods popular in China, discovered in the late nineteenth century by Johannes Jacobus Maria de Groot), preserved at the musée des Confluences, Huang Yong Ping has designed a new exhibition, that is both autobiographical and self-fictional. Autobiographical because the artist comes from the Fujian Province and has always seen these statues in \"situation\" before discovering \"ethnographical\" and coloured replicas; self-fictional, because for the artist, this is the illustration of the permissiveness of cultural fields and their floating meanings (History?\u003cbr\u003eEthnography? Art? Heritage? Replica? Exoticism? etc.). This piece demonstrates the mechanism of the construction and homogenization of cultural fields.\u003cbr\u003eAmoy\/Xiamen combines the old and current name for this port city, connected together and distinguished by a simple slash mark. Xiamen was formerly known as Amoy and witnessed some of the city's first European travellers. Amoy\/Xiamen is therefore the association of yesterday and today, of the past and the present. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954805321833,"sku":"","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/03.jpg?v=1753194909"},{"product_id":"huang-yong-ping-amoy-xiamen","title":"Amoy \/ Xiamen","description":"\u003cdiv class=\"descrListe\"\u003e\n\u003cspan\u003eMonograph based on the specific project conceived by Huang Yong Ping for his exhibition at Musée d'Art Contemporain de Lyon, with new essays by Thierry Raspail (director of the museum), Donatien Grau\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e (critic and writer), Doryun Chong (curator at MoMA, New York) and Deirdre Emmons (curator at Musée des Confluences, Lyon) that trace the entire career of the artist, as well as an abundant iconography on the exhibition.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"note\"\u003ePublished on the occasion of the eponymous exhibition at the MAC Lyon in 2013.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eFounder of the Xiamen Dada group and one of the leading figures of Chinese avant-garde in the 1980s, Huang Yong Ping (1954-2019) participated in the 1989 exhibition \u003cem\u003eLes Magiciens de la Terre\u003c\/em\u003e. He moved to Paris, where he currently lives and works. He represented France at the 1999 Venice Biennale.\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954812170345,"sku":"","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/HUANGYONGPINGAmoyXiamen.png?v=1757409108"},{"product_id":"camille-henrot-monograph","title":"Laps","description":"\u003cdiv class=\"accroche\"\u003e\n\u003cdiv class=\"descrListe\"\u003eNew monograph \/ artist's book with which Latifa Echakhch proposes an immersion into her visual world, an itinerary made up of a succession of “personal landscapes” just as image stills, around a series of exhibition views and personal notes and comments.\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003ePublished on the occasion of the eponymous exhibition at the MAC Lyon in 2013.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eBorn 1974 in El Khnansa, Morocco, Latifa Echakhch came to France at the age of 3 but has lived for most of her life in Switzerland. Her work is multi-referential and multidirectional, just like her personal background, her travels and her eclectic interests.\n\u003cdiv\u003eLatifa Echakhch tends to produce installation pieces that are in direct connection with the space in which they are presented, thereby blending personal, multicultural, historical and sociological references. \u003cbr\u003e\n\u003c\/div\u003e\n“Latifa Echakhch's works are proof that art can be instrumental to exchange and social engagement without necessarily being patronizing or exploitative. While her sculptures are elegant and delicate, the visitor must nevertheless not be deceived by this sensibility when she examines subjects such as culture, geography, and personal and collective histories. She explores these systems through mundane objects, images, and ordinary situations, repositioning them in a social and political debate. The visual and conceptual power of her combination of Minimalism and Romanticism is potent but misleading. What emerges is a fundamental belief in the dignity of the subjects and what art can bring in terms of reflection, even in its most critical form. Objects that begin as banal then become messengers of emotions such as melancholy and anger, and offer a silent point of view on the failure of utopias.” (Florence Derieux)\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eLatifa Echakhch recently exhibited at the Hammer Museum, Los Angeles; Tate Modern, London; Kunsthaus Zurich; MACBA in Barcelona, and the Fridericianum in Kassel\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954810794089,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/Latifa_Laps_e898c6da-cc6f-4959-9009-161e10f7647b.png?v=1757080007"},{"product_id":"tadashi-kawamata-tree-huts","title":"Tree Huts","description":"\u003cdiv class=\"descrListe\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\" itemprop=\"numberOfPages\"\u003e\n\u003cspan\u003eKawamata's main \u003c\/span\u003e\u003cem\u003ein situ\u003c\/em\u003e\u003cspan\u003e installations all over the world (at Centre Pompidou, Paris, at Haus de Kunst, Munich, for Art Basel, at Madison Square Park, New York, at the Tuileries for the Fiac, Paris, for Documenta IX, Cassel, at Serpentine Gallery, London, for the Shangai Biennale, etc.), a complete documentation on the \u003c\/span\u003e\u003cem\u003eCarton Worshop\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eTree Huts\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eField Works \u003c\/em\u003e\u003cspan\u003eprojects, with numerous illustrations and three essays (new revised edition).\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"descrListe\" itemprop=\"numberOfPages\"\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTadashi Kawamata (born 1953 in Japan, lives and works in Tokyo and Paris) has made in situ art throughout the world and was artistic director of the Yokohama Triennale in 2005. His work concerns itself with architectural space \u003c\/span\u003e\u003cspan\u003eas an urban or designed social context or product. A careful study of the human relations that define it and the way of life which results from it allows him each time to determine progressively the nature of his project. His pieces, for the most part temporary, are generally made from timber sometimes from salvage material from the immediate vicinity. Tadashi Kawamata's pieces recreate connections between the past and the present, between outside and inside, between the actual and the potential: they reveal another identity to the spaces, highlighting the invisible but quite real aspect of their cultural and social dimension. The creation of a community with which he shares the research and physical work is the drive and basis for each of his projects, as we can see with the experience of Saint-Thélo.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954804174953,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/TADASHIKAWAMATA2.png?v=1757409609"},{"product_id":"latifa-echakhch-monograph","title":"Monograph","description":"\u003cdiv class=\"descrListe\"\u003e\n\u003cdiv class=\"bioAuteur\"\u003eBorn 1974 in El Khnansa, Morocco, Latifa Echakhch came to France at the age of 3 but has lived for most of her life in Switzerland. Her work is multi-referential and multidirectional, just like her personal background, her travels and her eclectic interests.\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\nLatifa Echakhch tends to produce installation pieces that are in direct connection with the space in which they are presented, thereby blending personal, multicultural, historical and sociological references. \u003cbr\u003e“Latifa Echakhch's works are proof that art can be instrumental to exchange and social engagement without necessarily being patronizing or exploitative. While her sculptures are elegant and delicate, the visitor must nevertheless not be deceived by this sensibility when she examines subjects such as culture, geography, and personal and collective histories. She explores these systems through mundane objects, images, and ordinary situations, repositioning them in a social and political debate. The visual and conceptual power of her combination of Minimalism and Romanticism is potent but misleading. What emerges is a fundamental belief in the dignity of the subjects and what art can bring in terms of reflection, even in its most critical form. Objects that begin as banal then become messengers of emotions such as melancholy and anger, and offer a silent point of view on the failure of utopias.” (Florence Derieux)\u003cbr\u003eLatifa Echakhch recently exhibited at the Hammer Museum, Los Angeles; Tate Modern, London; Kunsthaus Zurich; MACBA in Barcelona, and the Fridericianum in Kassel.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book + Free download","offer_id":32954810171497,"sku":"","price":59.0,"currency_code":"EUR","in_stock":true},{"title":"Free download","offer_id":32954810204265,"sku":"","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/products\/24_-_Latifa_Echakhch_-_eshop.jpg?v=1575986932"},{"product_id":"martial-raysse-how-the-path-is-long","title":"How the path is long","description":"\u003cdiv class=\"descrListe\"\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"descrListe\" itemprop=\"numberOfPages\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cp\u003eSecond edition of the transcription of a lecture given by Martial Raysse on 13th May 1984 at the Centre Georges Pompidou, Paris. It presents a parallel between the quest for faith and for art, between the path taken by Paul on the road to Damascus and the journey of the artist.\u003c\/p\u003e\n\u003cp\u003eThe first edition of this text appeared in 1992 in the collection \u003cem\u003eL'art en écrit\u003c\/em\u003e published by éditions Jannink, Paris.\u003c\/p\u003e\n\u003cp\u003eA founding member of the Nouveaux Réalistes (alongside Arman, François Dufrêne, Raymond Hains, Daniel Spoerri, Jean Tinguely, Jacques de la Villéglé and Yves Klein), Martial Raysse, born in 1936 in Golfe-Juan (France), lives and works in Issigeac (France).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954806730857,"sku":"","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/Martial_Howthepathislong.png?v=1753195897"},{"product_id":"martial-raysse-quil-est-long-le-chemin","title":"Qu'il est long le chemin","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\n\u003cp\u003eSecond edition of the transcription of a lecture given by Martial Raysse on 13th May 1984 at the Centre Georges Pompidou, Paris. It presents a parallel between the quest for faith and for art, between the path taken by Paul on the road to Damascus and the journey of the artist.\u003c\/p\u003e\n\u003cp\u003eThe first edition of this text appeared in 1992 in the collection \u003cem\u003eL'art en écrit\u003c\/em\u003e published by éditions Jannink, Paris.\u003c\/p\u003e\n\u003cp\u003eA founding member of the Nouveaux Réalistes (alongside Arman, François Dufrêne, Raymond Hains, Daniel Spoerri, Jean Tinguely, Jacques de la Villéglé and Yves Klein), Martial Raysse, born in 1936 in Golfe-Juan (France), lives and works in Issigeac (France).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954806534249,"sku":"","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/products\/25---MR-2.jpg?v=1614691973"},{"product_id":"alfredo-jaar-the-sound-of-silence","title":"The Sound of Silence","description":"\u003cdiv class=\"descrListe\"\u003e\n\u003cspan\u003eReference monograph, with an essay by Okwui Enwezor, images of the most recent exhibitions and public interventions, as well as a selection of the artist's emblematic installations and press works since the mid-1980s.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"descrListe\" itemprop=\"numberOfPages\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\" itemprop=\"numberOfPages\"\u003e\u003cspan\u003eBorn in 1956 in Santiago, Alfredo Jaar is an artist, architect and filmmaker living in New York. Working with such different media as public interventions, installations, photography, and video, he examines the nature of images and the viewers' relationship to them. The crucial questions that he keeps exploring in his work tackle the very possibility of producing art based on events that we would prefer to ignore, and of creating images in a context characterized both by their over-abundance and, paradoxically, by their invisibility. For close to 30 years he built up a body of work of enormous strength and sensitivity, closely linked to current events, but taking the opposite stance to sensationalist reports.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\" itemprop=\"numberOfPages\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954816626793,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/AlfredoJaar_TheSoundofSilence.png?v=1763554171"},{"product_id":"zineb-sedira-beneath-the-surface","title":"Beneath the Surface","description":"\u003cdiv class=\"descrListe\"\u003eNew \u003cspan\u003emonograph based on a recent series of videos and photographs taken in Algeria, through which Zineb Sedira continues to explore issues of cultural identity, displacement and memory (with a retrospective of her work since 1995, three essays, and an interview with Hans Ulrich Obrist\u003c\/span\u003e\u003cspan\u003e).\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003eBorn 1963 in Paris, Zineb Sedira lives in London and works between Algiers, Paris and London. Her work focuses on social and political evolutions in modern societies and issues of displacement and memory in contemporary history. Highlighting her specific interest in archives and in the collecting, recording and transmission of histories, her work has frequently been identified with post-colonial issues and in particular with her family history.\u003cbr\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954800930921,"sku":"","price":27.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/Zineb_Beneaththesurface.png?v=1753196024"},{"product_id":"huang-yong-ping-wu-zei","title":"Wu Zei","description":"\u003cdiv class=\"descrListe\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eLuxurious monograph (tracing paper pages, inserted poster and booklet) based on Huang Yong Ping's monumental installation at the Oceanographic Museum of Monaco (a huge octopus hanging from the ceiling), documenting a series of recent exhibitions by Chinese artist, with an essay by Jessica Morgan and the transcription of a round table with many personalities around the artist.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003ePublished on the occasion of the installation \u003cem\u003eWu Zei\u003c\/em\u003e at Monaco's Musée Océanographique, from November 2010 to Spring 2012.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eFounder of the Xiamen Dada group and one of the leading figures of Chinese avant-garde in the 1980s, Huang Yong Ping (1954-2019) participated in the 1989 exhibition \u003cem\u003eLes Magiciens de la Terre\u003c\/em\u003e. He moved to Paris, where he currently lives and works. He represented France at the 1999 Venice Biennale.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954811318377,"sku":"","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/HuangYongPing_WuZei.png?v=1763554043"},{"product_id":"kazimir-malevitch-francois-morellet-carrement","title":"\u0026 Kazimir Malévitch - Carrément","description":"\u003cdiv class=\"descrListe\"\u003e\n\u003cdiv class=\"accroche\"\u003eCatalogue focusing \u003cspan lang=\"EN-US\"\u003eon Morellet's both ambiguous and explicit relationship to \u003c\/span\u003eMalevich's oeuvre, with three essays and an interview with François Morellet, a large ensemble of iconic works by the two artists, a selective chronology of Morellet and a biography of Malevich.\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003ePublished on the occasion of the eponymous exhibition at kamel mennour gallery, Paris, from March to April 2011.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003eFrançois Morellet (1926-2016) is considered one of the major figures of geometrical abstraction over the past half century, a pioneer of minimal art. An internationally recognized artist since the 1970s, he is the creator of many private and public commissions both in France and abroad, such as the permanent installation L'Esprit d'escalier, realized in the Lefuel Staircase of the Musée du Louvre in 2010.\u003cbr\u003eHis work has been exhibited in many venues, including the Centre Georges Pompidou, the Musée d'Orsay, the Galerie Nationale du Jeu de Paume, the Musée d'Art Moderne de la Ville de Paris, the Center for Fine Arts in Brussels, the S.M.A.K. in Ghent, the Stedelijk Museum in Amsterdam, the Mamco in Geneva, Documenta in Kassel, the Neue Nationalgalerie in Berlin, the Staatliche Kunsthalle in Baden-Baden, the Museum Ritter in Waldenbuch, Modern Art Oxford, the Musée d'Art Contemporain de Montréal, the Brooklyn Museum in New York, the Mi mi Arts Museum, and the MoMA in New York. \u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954811023465,"sku":"","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/Morellet_Carrement.png?v=1753196222"},{"product_id":"marie-bovo-sitio","title":"Sitio","description":"\u003cdiv class=\"descrListe\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eMarie Bovo's urban landscapes: different sets of pictures inspired by the Mediterranean culture and architecture, taken in Marseilles and in Cairo since 2007, with an essay and an interview.\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003ePublished on the occasion of the eponymous exhibition at Maison Européenne de la Photographie, Paris, from December 2010 to January 2011.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eBorn 1967 in Alicante, Marie Bovo lives and works between Paris and Marseille. She has exhibited widely in France and internationally. Her work has been presented at key institutions and events, such as the 54th Venice Biennale, the Maison Européenne de la Photographie in Paris, the Centre de Création Contemporaine in Tours, Luis Serpa Projectos in Lisbon, Les Collections de Saint-Cyprien, the Maison de la Photographie in Toulon, the City of Marseille Ateliers, the (mac) Musée d'Art Contemporain in Marseille, the Caszuidas Screen in Amsterdam, the Federation Square in Melbourne and the Museum of Contemporary Art in Chicago. Bovo is represented in central private and public collections, including those of, fnac, Maison Européenne de la Photo, Le Grand Hornu in Belgium, Les Collections de Saint-Cyprien and FRAC of Marseille.\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954807025769,"sku":"","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/MarieBovo_Sitio.png?v=1763553791"},{"product_id":"daniel-buren-alberto-giacometti-oeuvres-contemporaines-1964-1966","title":"Œuvres contemporaines, 1964-1966","description":"\u003cdiv class=\"descrListe\"\u003ePublished on the occasion of the eponymous exhibition at Kamel Mennour Gallery, Paris, from April to July 2010.\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\n\u003cbr\u003eCo-founder of the BMTP group, Daniel Buren (born 1939 in Boulogne-Billancourt, France) is a major figure on the international art scene. He made a name for himself on the art scene in the 1960s. In 1965, Daniel Buren settled into an approach based on a striped canvas with alternating white and coloured, 8,7 cm-wide stripes. The introduction in late 1967 of what he called a \"visual tool\" laid the foundations for a practice that broke with tradition and opened up a multifaceted body of work in which freedom was born, as the artist likes to point out, out of both internal and external constraints. Daniel Buren explored this \"visual tool\" by developing it on a flat surface and, from the end of the 1960s, in three dimensions.\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\n\u003cbr\u003eThe Swiss-born sculptor\/painter Alberto Giacometti (1901–1966) is best known for his bronzes depicting ghostly and attenuated figures, which made him a key member of the Surrealist movement. Between 1936 and 1940, Giacometti concentrated on the human head, focusing on the model's gaze, followed by a unique artistic phase in which his statues became stretched out, as he attempted to translate the phenomenological experience of looking at someone. His paintings underwent a parallel procedure: the figures appear isolated, emaciated, and are the result of continuous reworking. Giacometti reached worldwide fame at the end of the 1950s and has been the subject to major retrospectives around the world. \u003cbr\u003e\u003cbr\u003e\n\u003cdiv class=\"accroche\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954813612137,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/DanielBuren_AlbertoGiacometti_OeuvresContemporaines_1964-1966.png?v=1763552120"},{"product_id":"pierre-molinier-monograph","title":"Monograph","description":"\u003cdiv class=\"descrListe\"\u003e\n\u003cdiv class=\"accroche\"\u003e\n\u003cdiv class=\"accroche\"\u003eThe method and genesis of Pierre Molinier's oeuvre with more than 800 pictures, mostly unpublished, numerous documents, manuscripts and letters, a complete chronology, a critical biography, and a text by Jean-Luc Mercié.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003ePierre Molinier is an unknown of worldwide renown. Every book and every exhibition on the body, gender confusion or sexual excess seems to feature at least one work by this artist whose “genius” was acclaimed by André Breton in a memorable text published in 1956.\u003cbr\u003eBut the bulk of his work has remained inaccessible. A number of pictures have never been shown and a corpus of only 160 prints has been published. The ensemble revealed by the artist's archives is much more extensive. It includes numerous proofs made to prepare his photomontages and working prints given to friends, but also notebooks and personal letters. Here, precise links emerge between his paintings, photographs and scandalous life. The myth carefully constructed by the artist begins to crumble before the reality of the work.\u003cbr\u003eAn inveterate seducer, thoroughgoing fetishist, unrepentant transvestite and inadvertent bisexual, to the very last Molinier remained haunted by two obsessions: pleasure, meaning immediate access to \u003cem\u003ela petite mort\u003c\/em\u003e, and “leaving a trace in the infinity of time.” This book charts the aesthetic incarnation of his passions. Its 819 photographs, most of them never published before, reveal the method, shed light on the procedures and give details of the origin and alchemy of his latent or composed images. Finally, an exhaustive chronology offers a new biography of Molinier, based on his letters: for it is in the intimacy of these writings that the shaman's heart beats closest to the truth.\u003cbr\u003eJean-Luc Mercié\u003c\/div\u003e\n\u003cbr\u003e\u003cspan\u003eBorn 1900 in Agen (France), Pierre Molinier, surrealistic\u003c\/span\u003e\u003cspan\u003e painter and photographer\u003c\/span\u003e\u003cspan\u003e, a precursor to body art\u003c\/span\u003e\u003cspan\u003e, died in 1976 after having thought out radical and pornographic\u003c\/span\u003e \u003cspan\u003e\u003cspan\u003eartwork.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cspan\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"accroche\"\u003e\u003cspan\u003e\u003cspan\u003eIn a career shared between the university (fifteen years) and publishing (twenty) Jean-Luc Mercié has written widely on painting and photography. This monograph is his fourth book about Pierre Molinier, the master from Bordeaux. \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954804732009,"sku":"","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/products\/32_-_Pierre_molinier_-_eshop.jpg?v=1575987176"},{"product_id":"huang-yong-ping-myths","title":"Myths","description":"\u003cdiv class=\"descrListe\"\u003e\n\u003cdiv itemprop=\"description\" class=\"accroche\"\u003eAn overview of Huang Yong Ping's work since the mid-1980s, a full documentation of a series of recent exhibitions, two essays by Jean Loisy and Gilles A. Tiberghien and an interview.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eFounder of the Xiamen Dada group and one of the leading figures of the Chinese avant-garde in the 1980s, Huang Yong Ping (1954-2019) participated in the 1989 exhibition \u003cem\u003eLes Magiciens de la Terre\u003c\/em\u003e. He moved to Paris, where he currently lives and works. He represented France at the 1999 Venice Biennial.\u003cbr\u003e\n\u003cdiv itemprop=\"description\" class=\"accroche\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954811646057,"sku":"","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/HuangYongPing_Myths.png?v=1763551990"},{"product_id":"alberto-garcia-alix-daido-moriyama-far-from-home","title":"Far from Home","description":"\u003cdiv class=\"descrListe\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eA face-to-face between two of the most significant figures in contemporary photography.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eHailing from Japan and Spain respectively, Daido Moriyama and Alberto García-Alix both launched themselves headlong into the world of photography around the age of twenty, choosing as subject matter their contemporaries and epochs. A free-lance photographer in post-war Japan, Daido Moriyama has earned a reputation for the density, directness and roughness of his razor-edge shots. The city, vibrant and terrifying, is his backdrop of predilection, with its incessant din and flux, its clubs, its juke-boxes, its cars, motorbikes, women and stray animals. Poet, rocker, and anarchist matador in post-Franco Spain, Alberto García-Alix draws his inspiration from his immediate entourage. He is the author of a poignant and poetic cycle. With his biker's spirit, this photographer carved out an inimitable style for himself in the 80s, making portraits of those close to him: the eccentric actors of nocturnal Madrid. \u003cbr\u003eFor the \u003cem\u003eFar from Home\u003c\/em\u003e project, the pair have chosen to cut across their visions, their temperaments and their territories, thereby challenging the East-West dichotomy. Daido Moriyama, the Easterner, thus presents us with his views of a sensual Buenos Aires, taken in 2004 and 2005, while Alberto García-Alix, the Westerner, gives us photographs taken during his recent wanderings around Beijing. Buenos Aires \/ Beijing: two distant destinations; two short trips (two sojourns of ten days for the former and one of 55 days for the latter), and an opportunity to demonstrate that, despite being far from home, their distinct signatures and styles, their story-telling methods and their ways of recording the world remain the same. \u003cbr\u003eAs if saturated with contrasting energies, the picture Daido Moriyama paints of Buenos Aires is sometimes peaceful (the images of out-of-proportion stray animals or landscapes of deserted roads), at other times noisy and bustling. Children run. Couples embrace and begin to tango wildly. A carousel spins round at dizzying speed. The terraces of the Bombonera – the mythical stadium of the Boca neighbourhood – play host to the ovations of a delirious crowd. The Beijing of Alberto García-Alix is, on the other hand, imbued mostly with serenity. Faithful to his wont, the Spanish photographer has sought to orchestrate the light and organise his images based on diagonals and strong lines, as if composing graphic “portraits” of the city. Architectural fragments, pieces of sky-scrapers, telegraph poles and communication networks, trees stripped bare, etc. are all given this treatment.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954796965993,"sku":"","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/AlbertoGarcia-Alix_FarFromHome.png?v=1763551876"},{"product_id":"yona-friedman-camille-henrot-transmission-reception","title":"Reception \/ Transmission","description":"\u003cdiv class=\"descrListe\"\u003e\n\u003cdiv class=\"accroche\"\u003eA full documentation (with numerous photographs, some drawings, and the correspondence) on the collaborative project between Yona Friedman and Camille Henrot (a deconstruction of the space of the architect's \u003cspan\u003eapartment\u003c\/span\u003e, conceived as an abstract and symbolic space, by the French artist).\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003ePublished on the occasion of the exhibition \u003cem\u003eLe nouveau monde\u003c\/em\u003e at Collections de Saint-Cyprien and musée des Beaux-arts de Bordeaux in 2007.\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003eYona Friedman (1923-2020) has since the middle of the 20th century been developing the concept of\u003cbr\u003e“mobile architecture” according to which housing and town planning should be conceived by their users and should integrate the unpredictability of future behaviour of the user.\u003cbr\u003e \u003cbr\u003eBest-known for her videos and animated films combining drawn art, music and occasionally scratched or reworked cinematic images, the work of Camille Henrot (born 1978, lives and works in Paris) blurs the traditionally hierarchical categories of art history. Her recent work, adapted into the diverse media of sculpture, drawing, photography and, as always, film, considers the fascination with the \"other\" and \"elsewhere\" in terms of both geography and sexuality. This fascination is reflected in popular modern myths that have inspired her. The artist's impure, hybrid objects cast doubt upon the linear and partitioned transcription of Western history and highlight its borrowings and grey areas.\u003cbr\u003eCamille Henrot's work has been exhibited in France at the Centre Pompidou, the Paris Museum of Modern Art, the Palais de Tokyo, the Espace Paul Ricard, the Jeu de Paume, the Cartier Foundation, the Louis Vuitton Cultural Space, the Foundation Maeght, the collections of Saint-Cyprien, the Museum of Fine Arts of Bordeaux, Crac Alsace, and abroad at Sungkok Art Museum in Seoul, the Palais des Beaux-Arts in Brussels, the Center for Contemporary Images in Geneva, the Hara Museum in Tokyo and Oi Futuro Cultural Center in Rio de Janeiro.\u003cbr\u003eCamille Henrot won the Silver Lion at the 55th Venice Biennale in 2013, the Nam June Paik Award 2014, the Edvard Munch Art Award 2015… \u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954802045033,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/YonaFriedman_CamilleHenrot_Transmission_Reception.png?v=1763551780"},{"product_id":"marie-bovo-nox","title":"Nox","description":"\u003cdiv\u003e\n\u003cdiv\u003eTwo contemplative videos inspired by the Divine Comedy, with two series of photographs, images of burning newspapers and views from the rooftops of Cairo.\u003cbr\u003ePublished on the occasion of the eponymous exhibition at Ateliers d'Artistes de la Ville de Marseille, from March to May 2007.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003eBorn 1967 in Alicante, Marie Bovo lives and works between paris and Marseille. She has exhibited widely in France and internationally. Her work has been presented at key institutions and events, such as the 54 Venice Biennale, the Maison Européenne de la Photo in Paris, the Centre de Création Contemporaine in Tours, Luis Serpa Projectos in Lisbon, Les Collections de Saint-Cyprien, the Maison de la Photographie in Toulon, the City of Marseille Ateliers, the (mac) Musée d'Art Contemporain in Marseille, the Caszuidas Screen in Amsterdam, the Federation Square in Melbourne and the Museum of Contemporary Art in Chicago. Bovo is represented in central private and public collections, including those of, fnac, Maison Européenne de la Photo, Le Grand Hornu in Belgium, Les Collections de Saint-Cyprien and FRAC of Marseille. \u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954807287913,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/MarieBovo_NOX.png?v=1763551645"},{"product_id":"alberto-garcia-alix-no-me-sigas-estoy-perdido-76-86-dvd","title":"No me sigas... estoy perdido – 76-86","description":"\u003cdiv class=\"descrListe\"\u003e\u003cspan\u003e125 photographs by García-Alix in a book \/ DVD, with a long essay about Madrid rock 'n' roll during the 80's with the photographer.\u003c\/span\u003e\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954816954473,"sku":"","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/products\/AlbertoGarciaAlix-76-86.jpg?v=1587043349"},{"product_id":"marie-bovo-night-drippings-alicante-marseille-tokyo","title":"Night Drippings – Alicante-Marseille-Tokyo","description":"\u003cdiv class=\"descrListe\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eA series of night photographs.\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003ePublished on the occasion of the eponymous exhibition at Collections de Saint-Cyprien, from October 2005 to January 2006.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954809319529,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/products\/MB-NightDrippings.jpg?v=1587043253"},{"product_id":"pierre-molinier-je-suis-ne-homme-putain","title":"Je suis né homme-putain","description":"\u003cdiv class=\"descrListe\"\u003eA self-portrait of the master of autoeroticism through his writings (poems, draft letters, various notes, diaries) and his unpublished drawings, with about sixty illustrations.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\n\u003cspan\u003eBorn 1900 in Agen (France), Pierre Molinier, surrealistic\u003c\/span\u003e\u003cspan\u003e painter and photographer\u003c\/span\u003e\u003cspan\u003e, a precursor to body art\u003c\/span\u003e\u003cspan\u003e, died in 1976 after having thought out radical and pornographic\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eartwork.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954804928617,"sku":"","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/PierreMolinier_Jesuisnehomme-putain.png?v=1763550680"},{"product_id":"alberto-garcia-alix-lo-que-dura-un-beso","title":"Lo que dura un beso","description":"\u003cp\u003e95 duotone photographs by Alberto García-Alix.\u003cbr\u003ePublished on the occasion of the eponymous exhibition at Kamel Mennour Gallery, Paris, from October to December 2002.\u003cbr\u003eBorn 1956 in León, Alberto García-Alix lives and works in Madrid. \u003cbr\u003e\u003c\/p\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954817249385,"sku":"","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/products\/AlbertoGarciaAlix-Loqueduraunbeso.jpg?v=1587043169"},{"product_id":"huang-yong-ping-baton-serpent","title":"Bâton Serpent","description":"\u003cdiv class=\"descrListe\"\u003e\n\u003cspan\u003eThis publication supplements the exhibition of the same title at the MAXXI museum in Rome and contains a selection of texts, installation views and a special section focused on Huang Yong Ping's project notes, sketches and models.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003eChosen by Huang Yong Ping as title of his solo show at the MAXXI museum in Rome, “Bâton Serpent” recalls a verse from the Exodus 7:10 in the Bible (“Aaron cast down his rod before Pharaoh and his servants and it became a snake”), and emphasize s the deep sense of the project, an ironic reflection that is at the same time profoundly critical, and in some ways skeptical, concerning the relations and the tension that exists between different cultures and religions, between history and modernity, a critical look at the philosophical and geopolitical origin of the contemporary conflicts that are shaking the world.\u003cbr\u003eOver the past few decades, the artist has been extremely active on the international scene; his work— characterized by a critical and always regenerated insight—deals with some of the most up-to-date issues of our times, such as globalization, cultural negotiations, neo-colonialism, religious conflicts, economic transformations, political fundamentalisms.\u003cbr\u003ePublished on the occasion of the eponymous exhibition at the MAXXI, Rome, from December 2015 to May 2015.\u003cbr\u003eFounder of the Xiamen Dada group and one of the leading figures of Chinese avant-garde in the 1980s, Huang Yong Ping (1954-2019) participated in the 1989 exhibition \u003cem\u003eLes Magiciens de la Terre\u003c\/em\u003e. He moved to Paris, where he currently lives and works. He represented France at the 1999 Venice Biennial. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\n\u003cbr\u003e\u003cspan\u003ePublished on the occasion of the eponymous exhibition at the MAXXI, Rome, from December 2014 to May 2015.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954811875433,"sku":"","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/HuangYongPing_BatonSerpent.png?v=1763550511"},{"product_id":"huang-yong-ping-francois-jullien-nos-mondes-en-langues","title":"\u0026 François Jullien - Nos mondes en langues","description":"\u003cp\u003eThis book, put together by Donatien Grau, puts in dialogue an artist who left China to come to France and a philosopher who left France to go to China; an artist who concerns himself a lot with philosophy and philology and a philosopher who is more interested in aesthetic questions.\u003c\/p\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954812465257,"sku":"","price":27.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/HuangYongPing_Nosmondesenlangues.png?v=1763550348"},{"product_id":"hicham-berrada-monograph","title":"Monograph","description":"\u003cp\u003ePresentation of the work of the laboratory artist whose creations are based on scientific knowledge (chemistry, fluid physics, nanosciences, etc.) and combine installation, performance, video, sound and photography.\u003c\/p\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954812727401,"sku":"","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/HichamBerrada_Monograph.png?v=1763550220"},{"product_id":"camille-henrot-monograph-1","title":"Monograph","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cdiv class=\"descrListe\"\u003eReference monograph: a complete overview of the production of French artist Camille Henrot, awarded the Silver Lion of the 55th Venice Biennale, over nearly 10 years, with about 400 images, two essays and an interview.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\n\u003cbr\u003eBest-known for her\u003cspan\u003e videos\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eand animated films combining drawn art, music and occasionally scratched or reworked cinematic images, the work of Camille Henrot (born in 1978, lives and works in Paris) blurs the traditionally hierarchical categories of art history. Her recent work, adapted into the diverse media of sculpture, drawing, photography and, as always, film, considers the fascination with the \"other\" and \"elsewhere\" in terms of both geography and sexuality. This fascination is reflected in popular modern myths that have inspired her. The artist's impure, hybrid objects cast doubt upon the linear and partitioned transcription of Western history and highlight its borrowings and grey areas.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\n\u003cbr\u003eCamille Henrot's work has been exhibited in France at the Centre Pompidou, the Paris Museum of Modern Art, the\u003cspan\u003e Palais de Tokyo\u003c\/span\u003e, the Espace Paul Ricard, the\u003cspan\u003e Jeu de Paume\u003c\/span\u003e, the Cartier Foundation, the Louis Vuitton Cultural Space, the Fondation Maeght, the collections of Saint-Cyprien, the Museum of Fine Arts of Bordeaux, Crac Alsace, and abroad at Sungkok Art Museum in Seoul, the Palais des Beaux-Arts in Brussels, the Center for Contemporary Images in Geneva, the Hara Museum in Tokyo and Oi Futuro Cultural Center in Rio de Janeiro.\u003cbr\u003eCamille Henrot won the Silver Lion at the 55th Venice Biennale in 2013, the Nam June Paik Award 2014, the Edvard Munch Art Award 2015...\u003cbr\u003e\n\u003c\/div\u003e\n\u003cem\u003e\u003c\/em\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":33079947296873,"sku":"","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/products\/21_-_CH_-_eshop.jpg?v=1576252634"},{"product_id":"anish-kapoor-monograph-sold-out","title":"Monograph","description":"\u003cdiv class=\"descrListe\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003cspan\u003eThis new retrospective monograph, produced in direct collaboration with internationally renowned contemporary artist Anish Kapoor, is the most comprehensive to date.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\n\u003cbr\u003e\u003cspan\u003eAnish Kapoor, one of the most highly acclaimed sculptors working today, is winner of the 1991 Turner Prize and creator of Monumenta 2011. Kapoor enjoys immense popularity and has represented Britain at both the Paris Biennale and the Venice Biennale. His first solo exhibition in Paris in 1980 has been followed by numerous solo exhibitions in major venues around the world, including Sky Mirror installed at the Rockefeller Center in New York in 2006. He was the fourth artist to be invited to the Grand Palais in Paris to create a unique and original work for the immense interior space. At once metaphysical, profoundly poetic, and visually explosive, Kapoor's work demands a visceral as well as meditative response.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\n\u003cbr\u003e\u003cspan\u003eFull color reproductions spanning more than three decades of artistic output are accompanied by an incisive interview with the artist, while Kapoor's work is situated and explored in a critical essay by a leading Harvard scholar.\u003c\/span\u003e\n\u003c\/div\u003e","brand":"kamelmennour","offers":[{"title":"Book - English Version","offer_id":32954816397417,"sku":"","price":49.0,"currency_code":"EUR","in_stock":false},{"title":"Book - French Version","offer_id":32959869059177,"sku":"","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/products\/AK_-_eshop.jpg?v=1576066105"},{"product_id":"daido-moriyama-remix-sold-out","title":"Remix","description":"\u003cp\u003eThis second edition of Daido Moriyama-Remix was published on the occasion of the William Klein + Daido Moriyama exhibition at the Tate Modern end of 2012. The book was first published in 2004 and features a wide selection of black and white and colour images taken over the entire span of Moriyama's career.\u003c\/p\u003e","brand":"kamelmennour","offers":[{"title":"Book","offer_id":32954814267497,"sku":"","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/products\/23_-_daido_-_eshop.jpg?v=1576252539"},{"product_id":"alicja-kwade-kausalkonsequenz","title":"Kausalkonsequenz","description":"\u003cp data-mce-fragment=\"1\"\u003eBy engaging with the clear architecture of the Langen Foundation, Alicja Kwade has conceived an exhibition that extends well into the vast premises and emphasizes the transition between inside and outside.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“When I encountered the building, I had a strong sense of horizontality and continuity; you only experience the architecture as you walk through it. 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With installations in public space, sculptures, photography, video and sound, Alicja Kwade constantly questions how reality is perceived or accepted through social agreements.\u003c\/p\u003e","brand":"kamelmennour","offers":[{"title":"36.97","offer_id":39686014730345,"sku":"","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/AlicjaKwade_Kausalkonsequenz.png?v=1763550113"},{"product_id":"martial-raysse-les-statues","title":"Les Statues !","description":"This ebook has been edited to mark the exhibition “Martial Raysse. 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Each chapter delivers a cosmos of references in literature, cartoons, art history, psychoanalysis, and more—from ancient maternity myths to modern maternity wards; from Marcel Proust to Maggie Nelson to Hélène Cixous. Alongside illustrations of the artist’s work in painting, drawing, and sculpture, Henrot’s perspectives in writing oscillate freely between the personal and the societal, the obvious and the more complex, the visceral and the utterly mundane.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMilkyways\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003ewas originally conceived for\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eRepublik\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emagazine on invitation by Antje Stahl. Written with Jacob Bromberg, Antje Stahl, and Léa Trudel.\u003c\/p\u003e","brand":"kamel mennour","offers":[{"title":"Default Title","offer_id":47045745836381,"sku":"10","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/ModeleLivrefondgris-02.png?v=1748342958"},{"product_id":"camille-henrot-mother-tongue","title":"Mother Tongue","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"description-title\"\u003e“In many languages, ‘understanding’ also comes from the idea of putting something inside your body” – Camille Henrot\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"product-variant-description\" id=\"product-variant-description-46716737519962\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the past twenty years, Camille Henrot has developed a critically acclaimed practice that moves seamlessly between drawing, painting, sculpture, installation, and film. Mother Tongue is Henrot’s first publication focused solely on painting and drawing, bringing together over 200 works from the series System of Attachment, Wet Job, and Soon, created between 2018 and 2022. This recent body of work addresses the ambivalent nature of care and the tension between the simultaneous developmental need for attachment and independence, beginning at infancy and continuing throughout life. Her deeply personal and intimate interrogations ultimately relate to broader questions such as the expectations placed on mothers and the representation of the female body. This richly illustrated catalogue is accompanied by texts from Emily LaBarge, Legacy Russell, Marcus Steinweg, Hélene Cixous, Seamus Kealy, and a conversation with Camille Henrot and curator Julika Bosch.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"kamel mennour","offers":[{"title":"Default Title","offer_id":47045895192925,"sku":"20","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/CamilleHenrot_MotherTongue.png?v=1763549645"},{"product_id":"tadashi-kawamata-site-sketches-n-1-500","title":"Site Sketches n°1-500","description":"\u003cdiv class=\"accroche\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-12\"\u003e\n\u003cdiv class=\"titreListe auteur\"\u003e\n\u003cspan\u003e\u003ca title=\"list all titles\" class=\"\" href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=737\u0026amp;menu=0\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-7 col-md-8 col-resume\"\u003e\n\u003cdiv class=\"mt-4\"\u003e\n\u003cem\u003eSite Sketches n°1-500\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the first volume of the \u003cem\u003ecatalogue raisonné\u003c\/em\u003e devoted to the\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eSite Sketches\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eseries, works on paper made from recycled scrap wood by Japanese artist Tadashi Kawamata.\u003c\/div\u003e\n\u003cdiv class=\"mt-4\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"mt-4\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eThis publication presents over 300 small conceptual \"drawings\" produced by Tadashi Kawamata over a decade. These mixed media collages transmit a quintessence of the artist's thinking on place—space marked by the human presence.\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003ePublished following the exhibition \"Tadashi Kawamata. Site Sketches\" at Mennour gallery, Paris, from November 28th, 2019 to January 18th, 2020.\u003cbr\u003eTadashi Kawamata (born 1953 in Japan, lives and works in Tokyo and Paris) has made in situ art throughout the world and was artistic director of the Yokohama Triennale in 2005. His work concerns itself with architectural space as an urban or designed social context or product. A careful study of the human relations that define it and the way of life which results from it allows him each time to determine progressively the nature of his project. His pieces, for the most part temporary, are generally made from timber sometimes from salvage material from the immediate vicinity. Tadashi Kawamata's pieces recreate connections between the past and the present, between outside and inside, between the actual and the potential: they reveal another identity to the spaces, highlighting the invisible but quite real aspect of their cultural and social dimension. The creation of a community with which he shares the research and physical work is the drive and basis for each of his projects, as we can see with the experience of Saint-Thélo. \u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"kamel mennour","offers":[{"title":"Default Title","offer_id":48867664396637,"sku":"","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/Tadashi_b4ee5732-1235-4570-9fa9-972b3f1319a6.png?v=1761751243"},{"product_id":"eugene-carriere-scenes-de-la-vie-domestique","title":"Scènes de la vie domestique","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEugène Carrière (1849-1906) grew up in Strasburg, where he was trained in lithography, and studied at the École des Beaux- Arts de Paris under Cabanel. In 1878, he married Sophie Desmouceaux, with whom he would have seven children. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe members of his family would be frequent models for his paintings. He exhibited regularly at the Salon des Artistes Français from 1878 to 1890, then at the Société Nationale des Beaux-Arts. He was forever working outside of the stylistic categories of his time, and never joined any particular movement. This unclassifiable painter, engraver, and drawer—the contemporary of Gustave Moreau, Odilon Redon, and Paul Gauguin, among others—quickly surrounded himself with the most influential figures of the artistic and literary world of his time, including Roger Marx, Jean Dolent, Alphonse Daudet, Edmond de Goncourt, Gabriel Séailles, and Paul Verlaine. His friendship with Auguste Rodin left a mark on his work, which drew its inspiration from tangible reality in a way similar to Rodin's. A precursor to Modernism, Carrière founded the Académie Carrière in 1890 in the Rue de Rennes in Paris. Among his students were those who would become known as the Fauvists—André Derain, Francis Jourdain, and Henri Matisse. Pablo Picasso, on his arrival in the city in 1901, also studied under Carrière, whose quasi-monochrome palette is a recognised influence on Picasso's pink and blue periods. Throughout his life, Carrière demonstrated a mastery of chiaroscuro. This led him to privilege light over colour, and to create complex and mysterious plays of transparency and depth.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"kamel mennour","offers":[{"title":"Default Title","offer_id":49393451827549,"sku":"","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/ECA-01_62a15cf0-26b8-41ce-a73e-3c749b8fde0f.png?v=1743777237"},{"product_id":"degottex-michel-gauthier","title":"Michel Gauthier","description":"\u003cp\u003eThis monograph describes the remarkable trajectory of the work of Jean Degottex (1918-1988): from analytical and processual radicalism to the pictorial avant-garde that emerged in the late 1960s and asserted itself in the following decade.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis monograph describes the remarkable trajectory of the work of Jean Degottex (1918-1988): over the course of almost four decades, his painting evolved from lyrical abstraction, of which he was a leading figure, to an analytical and processual radicalism that made it close to the pictorial avant-garde that emerged in the late 1960s and asserted itself in the following decade.\u003cbr\u003eIn 1955, Degottex's painting became an issue for André Breton, who saw in it a possible abstract outcome to automatism in painting. This attempt to affiliate lyrical abstraction with Surrealism was achieved by engaging Degottex's work in a relationship with the Far East and Zen Buddhism, which paradoxically enabled him to transcend the expressive conception of lyrical abstraction in favor of a painting of signs and writing. Thus emancipated, from the mid-1960s onwards, from the aesthetics that had given birth to it, Degottex's painting became animated by a tropism that was initially centrifugal, with spatialist accents, then centripetal, self-reflexive? it then devoted itself to the sensitive experimentation of its elementary constituents.\u003c\/p\u003e\n\u003cp\u003eMichel Gauthier's book details the stages in this movement, from some of the highest achievements of informal lyricism to the pictorial materialism of the series that have marked the last fifteen years of production, from the transformation of a painting that expresses to a painting that expresses itself, and attempts to identify the underlying logic.\u003c\/p\u003e","brand":"kamel mennour","offers":[{"title":"Default Title","offer_id":51111073546589,"sku":"5466234","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1855\/7033\/files\/Degottex_MichelGauthier.png?v=1763549312"}],"url":"https:\/\/shop.mennour.com\/collections\/books.oembed?page=2","provider":"Mennour","version":"1.0","type":"link"}